Courtney Pine - Roots and Understanding

British horn hero Courtney Pine returns to his London roots for his latest long-player, Black Notes From The Deep. In advance of his headline appearance at this month's EFG London Jazz Festival the multi-reedist spoke to Andy Robson about his Freddie Hubbard epiphany at Ronnie Scott's, the conducive working relationship he enjoys with his record label, Freestyle, and the rewards of collaborating in the studio with UK soul-jazz singer Omar

This is an extract from Jazzwise Issue #224 – to read the full article click here to Subscribe, save money and get a fantastic jazz CD FREE

Rez Abbasi – No Filter

Over more than a dozen albums as a leader Pakistan-born New York-based guitarist Rez Abbasi has built up a formidable canon as a deft curator of pan-cultural concepts. His latest Carnatic-inspired collection, Unfiltered Universe, the final instalment of a triptych with his star-studded Invocation band, furthers his investigations into the variegated mysteries of South Asian music. John Murph spoke to Abbasi, as well as his key collaborators, drummer Dan Weiss and saxophonist Rudresh Mahanthappa, to find out more

This is an extract from Jazzwise Issue #224 – to read the full article click here to Subscribe, save money and get a fantastic jazz CD FREE

Anouar Brahem – Into The Blue

On Blue Maqams, his latest all-star ECM summit founded on traditional Middle-Eastern modes, Tunisian oudist Anouar Brahem has hooked-up with British pianist and recent Jazzwise cover star Django Bates, and again with his regular rhythm pairing of Jack DeJohnette and Dave Holland. Kevin Le Gendre spoke to Brahem about his stellar quartet's simpatico strategies and how its members' disparate cultures led to the cultivation of a work defined by its collective virtuosity and the worldview visions of its leader

This is an extract from Jazzwise Issue #224 – to read the full article click here to Subscribe, save money and get a fantastic jazz CD FREE

Cécile McLorin Salvant – Paint It Black

Vocal sensation Cécile McLorin Salvant exudes a poise and maturity beyond her tender years – wrapping her virtuosity in a worldly-wise wit and wry, sometimes, dark humour. It's an approach that has seen her win the 2010 Thelonious Monk competition and take home Grammy Awards for 2016's For One To Love and 2014's WomanChild albums. Kevin Le Gendre spoke to her about how her painterly passions and the visceral live energy of the hallowed Village Vanguard, recordings from which feature on her much anticipated new double album Dreams And Daggers, help bring guile, grit and gravitas to her prescient take on vocal jazz

This is an extract from Jazzwise Issue #223 – to read the full article click here to Subscribe, save money and get a fantastic jazz CD FREE

Mammal Hands – Fierce Creatures

Part of a burgeoning brigade of dancefloor-friendly jazz troupers that includes both GoGo Penguin and The Comet Is Coming, East Anglian jazz animals Mammal Hands are crossing over to a younger more festivalfriendly audience with their intense combination of kinetic grooves and inspired improvisation. As the trio look set to widen their appeal with the release of their latest album, Shadow Work, Nick Hasted spoke with them about the cyclical secrets of their growing success

This is an extract from Jazzwise Issue #223 – to read the full article click here to Subscribe, save money and get a fantastic jazz CD FREE

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Q&A with Trio HLK

Q&A with Trio HLK

Trio HLK are one of the most distinctive voices to appear on the Scottish jazz scene in recent times. Their debut album, Standard Time was released in May, since when...

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In 2010, Hugh Masekela, the great South African musician and an inspiration in the cultural and political struggle against apartheid, spoke candidly to Jazzwise's Marcus O'Dair about his continued to fight...

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Frank Zappa's jazz legacy

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Frank Zappa left a huge legacy of pioneering music and outspoken opinions that has proved obliquely influential in shaping the style and attitudes of generations of rock and jazz musicians...

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Brian Priestley takes the opportunity to put Ella Fitzgerald’s soulful 1957 version of Ellington’s ‘I Ain’t Got Nothin’ But The Blues’ under the microscope It’s well known that Ella Fitzgerald had...

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