Fraud - Art of Deception

One of last year’s breakthrough groups Fraud shows what it can do on record this month as its debut album, also called Fraud, is released. Powered by drummer Tim Giles and saxophonist James Allsopp the group has made the journey from the London underground jazz clubs to become the more visible face of the new post free jazz British groups. Interview :: Mike Flynn

Keith Jarrett - Hear Everything

Keith Jarrett, whose Köln Concert from 1975 has sold over three million copies worldwide, virtually defining the art of the solo piano concert in jazz in the process, has dramatically altered his style with his latest release The Carnegie Hall Concert. In a rare interview, he tells Stuart Nicholson how and why he changed his approach, the value of classical studies to aspiring young jazz musicians, what his own practice routine is at home, the state of jazz today and a whole lot more.

Pat Metheny and Brad Mehldau - Meeting of minds

The release of Metheny Mehldau is the jazz event of the year by some distance. It’s the first time guitarist Pat Metheny and pianist Brad Mehldau have recorded together and presents a fascinating match of two musical forces who have become world renowned jazz figures. Metheny, for his wealth of critically and commercially successful records, guitar virtuosity and free wheeling jazz spirit, Mehldau for his dark neo-Gothic treatments of jazz standards and the figure who has made interpretations of Radiohead and Nick Drake de rigueur for the hip young jazz musician. In this exclusive Stuart Nicholson talks to Pat Metheny about the secretive recording session that spawned the record and a future release by the pair, and finds out how Pat and Brad found themselves playing a Whitney Houston song at a birthday party when they first met. Then Brad Mehldau talks to Stephen Graham about notions of Americana, his “Gothic tinge” and declares that he is a “notoriously bad collaborator”

Colin Towns - Back from the brink

Keyboard player and composer Colin Towns is on the way back after his record company Provocateur skirted with disaster in the wake of the collapse of its distributors. Once the most adventurous and ideas-driven indie jazz record label in the UK, with a motto to match, “improvise not compromise”, a hostile record business climate brought the label close to the point of collapse. Best known for releases by Andy Sheppard and Guy Barker, whose album Soundtrack was Mercury nominated, Towns and his label, with a slimmed down staff and a more cautious approach, are set for a busy autumn, especially with his Frank Zappa-themed big band album and a major tour on the horizon. Duncan Heining talks to Towns about the once dark days at Provocateur, the green shoots of recovery and why there’s nothing sacred with Zappa. And in the following feature he talks to Norma Winstone about her new album on Towns’ label.

Branford Marsalis - Home is where the heat is

Something to brag about? Well, that’s what Branford Marsalis would like you to think he has achieved on his latest release Braggtown. A white knuckle ride with drummer Jeff “Tain” Watts punishing his drums time and time again, especially on the tune ‘Blakzilla’ inspired by the music from the Japanese horror film Godzilla. But the latest recording by his seasoned band, whose line up is completed by bassist Eric Revis and pianist Joey Calderazzo, also exposes another melancholic side of Branford’s musical psyche, inspired by the unlikely Teutonic figure of Richard Wagner.

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