Dave Brubeck (p), Paul Desmond (as), Eugene Wright (b) and Joe Morello (d). Rec. 1959 and 1961-64
Dave Brubeck and Paul Desmond were an odd couple! Chalk and cheese: Brubeck’s frequently thunderous, bombastic pianistics being in stark contrast to Desmond’s unruffled pure toned alto sax. But it worked. Never more so than on Time Out, one of probably just half-a-dozen albums on the shelves of those who don’t admit to liking jazz.
It was an album that prompted even more controversy than Ornette Coleman’s emergence the previous year. While, perhaps, not the first group to explore compound time signatures, Time Out (a million-plus seller that also produced two jukebox hits ‘Take Five’ and ‘Blue Rondo A La Turk’) proved a major breakthrough in that it captured the public’s attention by offering up a clear blueprint of future possibilities in jazz as opposed to being misconstrued as an attention-grabbing gimmick.
Though the singles are the best-known tracks, ‘Kathy’s Waltz’ and ‘Three To Get Ready’ are their equal in terms of genuine inspiration. But then the entire original album remains unaffected by the passing of time. This three-disc set also includes almost one hour of Newport Jazz Festival location recordings (1961-1964) – check out the spirited ‘Waltz Limp’ plus a DVD which offers Brubeck’s reminiscences on the making of Time Out.
– Roy Carr